Will Smith Sports Illustrated Cover Shoot for ‘Concussion’ feature film

February 15th, 2016

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As creatives, most of us love what we do. We love the small jobs, the medium jobs, but we especially love the really big jobs. Don’t get me wrong, I’ll do a smaller job any day of the week, but a high-profile, high production shoot really gets me going.

This is the case with being asked to shoot Will Smith for the cover of Sports Illustrated for the movie Concussion. I was tasked with getting several variations for a cover as well as a potential inside photograph. To do this we created several sets: a white set, a dark gray set and then varied the lighting with Indo sets. The trick on a shoot like this is not just the technical expectations, but the more important task is keeping everyone happy and creating a great atmosphere on set. I had worked with Will before and know what a pleasure he is to shoot. Once again, he didn’t disappoint.

The images and experience went well enough for everyone that Brad Smith, then Director of Photography of Sports Illustrated said with a smile that he wanted to be my agent.

Well Brad, I also have a new agent. I’d love to announce my partnership with Clare O’Dea of the Clare Agency. Love to hear your feedback on the images and would love to create something meaningful for you soon. – Michael

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Behind the Shoot: Will Smith’s ‘Concussion’ Cover Shoot


Showing at the Photo Independent Art Fair April 25th – 27th

April 21st, 2014

Hi All, So I decided to take a booth at the upstart art fair, Photo Independent, across from Paris Photo this weekend, April 25th through the 27th. I will be showing a body of personal work, The Urban Landscapes Project, which are panoramic images that chronicle my travels around the world while on assignment. The images are colorful and graphic and received rave reviews at Photo LA in January. Please come to the Raleigh Studio Hollywood, 5300 Melrose Avenue, Los Angeles, California 90038, I will be in Stage #8, Booth #603

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Apple Store, New York, NY; Archival Inkjet Print, 72 x 32; Signed, 1/10

Friday, April 25
Trade Day, 1pm – 5pm
Press Preview, 5pm – 7pm
Opening Night Premiere Party, 7 – 10pm

Saturday, April 26, 11am – 7pm
Sunday, April 27, 11am – 6pm

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Striped Bank, New York, NY; Archival Inkjet Print, 72 x 32; Signed, 1/10

You can get your tickets at the Photo Independent website. Please bring collector friends and photo enthusiasts. For those of you who came to Photo LA, there will be new work exhibited. Below is gallerist W.M. (Bill) Hunt’s review of the work, I think you will enjoy it. See you there!  – Michael

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Red Curtain, New York, NY; Archival Inkjet Print, 72 x 32; Signed, 1/10

Michael Grecco’s night is full of light.

He is a moonwalker, a somnambulist whose conscious and unconscious are not blinded by the brights of oncoming traffic or swallowed into shadows. He is enthralled by the radiance within the blackness, the rapture of color. Grecco’s “Urban Landscapes” are vivid panoramic photographs shot in mostly unidentifiable locations around the world. These places seem alien and exotic, showered in vibrant, lucent, sometimes iridescent almost radioactive colors, revealed in raking rays, squiggles, planes, and circles.

Through long exposure, selective focus, shallow depth of field, blurring and wide framing, he finds his way in the dark and leads us as he dances ecstatically through the color spectrum. In the studio and on location, he is a virtuoso of lighting technique. That skill has obviously sharpened his eye and instincts in locating these chromatic landscapes as he travels the city after dark. Further all of what happens is “in camera”, in his panoramic Hasselblad.

Sixty years ago, the legendary photographer Ernst Haas made this journey. Haas was interested in “transforming an object from what it is to what you want it to be.” Grecco wants to “to contextualize man and his/her place in their environments they create, in the artifices they live in, to go out every day with the intention of breaking visual rules, to create an evocative, cinematic image that inspires – in its format, composition and color” This is the visual music of the night.

W.M. Hunt – Gallerist, Curator